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Howard Gladstone is a
Toronto singer/songwriter creating songs populated with some vivid
characters, and set in varied locales around North America and the world.
North Americana. These songs reflect a world of experience and
imagination. Howard creates carefully crafted lyrics, and delivers with a
laid-back vocal style that suits, plus strong acoustic guitar stylings.
Diverse themes, diverse musical styles - always striving for the authentic,
a voice of romantic realism. Howard Gladstone has independently released two
well-received albums of original music - "Sunflowers Light The Room" (2002)
and "Candles On The River" (2005). A third album, "The Breath In The Wind"
featuring Howard in a stripped-back trio format will be released in April
2007.
Gladstone sometimes approaches his subject matter as a seasoned journalist
would: with an eye for detail, a sense of story and a desire for
objectivity. He sticks to the facts, tells it like it is and maintains a
measured and slightly detached quality in his vocal delivery. Other times, a
more lyrical and poetic side emerges.
With a craftsman approach to lyric writing, and an engaging laid -back vocal
delivery, this is
music that reflects Howard's wide influences and a lifetime of listening and
loving music. Everything from
folk to country, from blues to jazz, from 50's & 60's pop to New Orleans
funk, soul and Indian ragas. From Ricky Nelson to Rumi, from Hank
Williams to Lucinda Williams.
Performing mostly in the
Toronto and southern Ontario area, Gladstone is a convincing solo
performer. He also appears on a regular basis with guitarist Tony
Quarrington who helps explore and claim additional musical territory. A
trio is completed with Kevin Zarnett on bass. Full band performance
includes Denis Keldie (keyboards/accordian), Kevin Zarnett, Russ Boswell or
Bruce Longman (bass), and Gary Orme (drums).
Gladstone's observations and concerns are deeply etched in his songs,
ranging from the plight of First Nations ("Aboriginal Burial Ground"), to
fetal alcohol spectrum disorder ("Damaged Angel") to the closing of Canadian
Maritime fisheries ("Fishin' by the Book"), to globalization and corporate
indifference ("Goin' Offshore"). " Down to the Delta" surveys the history
of the blues in the rapidly changing southern environment where casinos are
replacing sharecropper's cabins and Muddy Waters' cabin is an exhibit in the
Clarksdale Mississippi Delta Blues Museum.
Other songs reflect on love, loss, and the vagaries of life. "Prisoner of
New Orleans" and "Photograph" are atmospheric, moody songs with an air of
mystery. "Candles on the River" takes its inspiration and rhythm from a
sunrise Gladstone observed in Varanasi, India. - the holy city on the
Ganges.
Other times, a more lyrical and
poetic side emerges in such songs as "Sunflowers Light The Room." and "I
Want to Be Closer"
Some songs are satirical
and amusing, but never silly. "Goin' Offshore" the songs about outsourcing
has a carefree calypso beat that belies the theme of jobs
disappearing. "South Of the Border " is a satirical look at of our
American neighbours - or maybe our smug Canadian selves. "SIx Weeks In
A Plaster Cast" is a key changing country song clocking in at 2 minutes
and outlining how to have a blast with a broken arm.
Howard also organizes musical events, including the Toronto City Roots
Festival (www.torontocityroots.com), at the historic Distillery District.
He is a family man with grown children; he is also an
entrepreneur with an operating business that he sometimes finds times for.
A person who caught the
travel bug young, Gladstone still loves to travel,
and takes inspiration from such locales as India, the US South,
Greece, and Newfoundland.
Childhood home was filled
with music and lots of younger siblings -music was the glue that kept
a barely functional home together for a while. Buying his first
Kent guitar for $10 with money saved from a paper route, Gladstone now
proudly owns the Laskin guitar he purchased 30 years - when Grit
Laskin was still an unknown's luthier and long before his hand crafted
instruments were sought around the world. (See the Laskin guitar in
the above photo).
Robbie Robertson Interview
In 1969 Howard interviewed Robbie Robertson of The Band.
The interview eventually appeared in Rolling Stone Magazine. Here is a
link to the interview, along with a preface written in March 2002.
Robbie Robertson interview
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